pleasure and paradox in paris

At the Musée d’Orsay, pressing my face close to a Monet painting, practically inhaling the brushstrokes, I felt a mixture of profound gratitude and nostalgia. The pale pinks, lavenders, and yellows were indescribably soothing. I wanted to merge with the work. Escape into it.

I was mesmerized by the art of Paris to a degree that surprised even me. I’d studied Art History many moons ago at university, but standing in front of certain works – I could easily touch them, were it not for the ever-present security – left me deeply affected.

Until that point, I’d felt somewhat ambivalent about my impromptu trip to Paris. Though I had the time off work, cash saved in the bank, and a great deal from Air France, I questioned my decision to travel to the City of Lights. Surely there were more responsible things to do with my money.

In my hotel room that first night, I tossed and turned as the jet lag (and in-flight wine, no doubt) sank in. Habitual thoughts about work, relationships, and family pounded in my head. Paris, I thought. Why am I here? What can I learn from you?

Pleasure. Presence. Enjoy life, she answered. Be in your body, not your head. You already know this…but I can help you. In fact, you need me to. That’s why you’re here.

You think you’ve lost your intuition, she continued, but you haven’t. Don’t focus on my image or the tourists or the incessant honking and police sirens, or the camouflaged men with machine guns standing on the corner. There is an essence of me that is much deeper than all these things. Be with it.

I didn't make it to the top, but I had to get the Eiffel shot!

I didn’t make it to the top, but I had to get the Eiffel shot!

I spent a week exploring various neighbourhoods in the city. I walked along the Champs-Élysées and the Seine. Apart from food (and chocolate presents!), my only purchase was a 4-day Museum Pass, which I’d picked up at Charles de Gaulle airport upon my arrival.

Viewing the paintings of Monet, Degas, Manet, Cassatt, Morisot, Seurat, and Renoir (and so many more), I felt deep nostalgia. Nostalgia for the time in my life when I initially studied these works. Nostalgia for historical periods of great art, music, and beauty. Most of all, nostalgia for an era where artists truly sat with their inspirations. Focused and present, devoting hours, days, even years to the execution of their visions.

What must it be like to have that kind of patience? It is hard to imagine. My attention span is much shorter than it used to be, a deterioration I blame on technology. All around me, people flitted about with iPhones, snapping photos and selfies. I tried to take some pics, but they never did the moment justice. And trying to capture that moment would just take me out of it.

Jardin des Tuileries - I couldn't resist including this

Jardin des Tuileries – I couldn’t resist

I wondered what these artists would think of this modern world. Would they be disturbed, fascinated, inspired? Life cannot be as it was in nineteenth-century Paris, of course. And even then, things probably weren’t as idyllic as the dreamy vistas suggest. Still, I long to sit in front of a landscape or sunset, or at a cafe, for hours, just absorbing my surroundings. Not thinking about work or emails or how I should be doing something.

Paris reminded me of India, in that it’s a paradox. The Divine Feminine presence, which surely exists and spoke to me that first night, was accompanied by a rough, almost aggressive energy throughout the city. It was an interesting, and often unsettling, experience.

But visiting Paris was very, very good for my soul. In recent months I’d been feeling some grief for so many lost years where I didn’t trust myself as my own authority, where I sold myself short. This last decade in particular – I don’t know where it went. Paris reminded me to be gentle with myself and look ahead. Not everything in life has to happen at once, and my process won’t look like anyone else’s. Nothing is lost. There is still time.

The art, the red wine, the Autumn sunshine, the walks along the Seine…that’s who I am. Sitting in front of a canvas and feeling where the colours take me…that’s who I am. Doing my best to heal resentments, forgive, and live in divine love…that’s who I am. Willing to learn, be humbled over and over again, and create grand adventures for myself…that’s who I am.

Thank you, Paris, for reminding me who I am.

 

10 life lessons from mandala painting

Last weekend I stepped out of my comfort zone and into one of the most profound experiences of my life: a 3-day mandala painting course.

It’s hard to put such a deeply healing and transformative experience into words; I’m still basking in the afterglow of it all. It’s not an understatement to say it changed my life. Here’s just some of what I’m very thankful to have learned.

This is Shakti

This is Shakti

1. Everything I need is within. I was the last to pick a canvas. I didn’t rush to get my paints. I was feeling anxious, and had made the conscious decision to be patient and kind with myself. Somehow I knew that whatever was within me would come forth, no matter what external resources I had.

2. I can no longer say ‘I’m not an artist’. This process unlocked the artist in everyone who participated. Many of us were beginners, and each person created their own unique masterpiece. Everyone can do this. We just need the support and tools to draw out our inner creative fire.

3. Mandalas are a portal. We can access deep realms of consciousness when creating or contemplating a mandala. I don’t quite know how it works…but that’s the point. Our logical mind is not in control; we’re perceiving and interpreting from the heart. The process is mystical and ineffable.

4. Art opens people like lotus flowers. It was amazing to watch, and experience in myself, the joy that unfolded over the weekend. I was able to bring forth something that had been waiting for the right moment to express. Everyone was discovering this hidden place within themselves. There was a sense of wonder in the air. New life was being birthed.

5. I created it…but I didn’t. My experience flowed more easily when I let go of thinking of ‘my’ painting, ‘my’ possession – when I dropped the ego. Yes, it emerged from within me…but I like to think of it as a co-creation with a greater essence that is both me and not-me. I couldn’t grip it too tightly.

6. This is life. I felt an overwhelming sense that life could be so much more than mass consciousness programming would have us believe. Being in the zone of creativity and stimulating conversation, free from iPhones and Facebook, was such an immense, life-affirming contrast to the 9-5 matrix I’d become so accustomed to in the past.

7. Mandala painting is therapy. I’m convinced that the act of mixing colours, putting brush to canvas, being in a supportive group, and creating a personal, sacred work of beauty would heal in a weekend what might take years in traditional therapy. The mandala gave me a vision into my own soul.

8. Self-expression is a shared process. Self-expression is not a solitary act. It requires a community to receive it. Creating art with others helped me let go and trust in the group. The group’s presence impacted what I created, whether or not anything was verbally expressed. Communication transpired on an unseen level.

9. Surrender. I became anxious when I thought too far down the line, e.g., the next colour I’d choose and whether it would ‘look good’. There was a fear of screwing things up…anticipating what could go wrong instead of trusting that each layer would be reveal itself in the perfect sequence. I relaxed when I surrendered to what was right in front of me.

10. The Divine Feminine is awakening. She is here. At the beginning of the weekend, we each gave ourselves a name – a symbol for our journey at this point in time. I picked ‘Shakti’. I’d been very much feeling the presence of the Feminine, seeing coral-red colours in my recent meditations. These colours materialized in the mandala without forced effort. Magic!

I am looking forward to painting more…the portal has been opened!

you do not understand your features

you do not understand your features

susan seddon boulet, ‘venus’, with my modifications