burn the journals

I moved a couple of months ago, and my box of journals followed me. I’ve carted this box around for several years, unsure of what to do with it. A part of me wants to burn these diaries, all at once, in some ritual release ceremony. But if I do that, I want to read them first – and this would take a while, given the sheer number of them. And the fact that it would be an emotionally exhausting process.

Why am I holding on? I’ve written about this in a previous post, and I’m still facing the dilemma. For the most part, my musings weren’t happy. I certainly don’t want anyone else reading them. And I don’t feel particularly joyful when I look at that box; if anything, it makes me anxious. I think of it whenever I hear the safety announcement on a plane. What if I died suddenly? Do I really want my innermost thoughts just floating around?

the box

I know what it is. I have this sense, this hope, that the diaries might provide a clue. A clue about what, I don’t know. Maybe they’ll contain a hidden gem that will give me some heightened self-awareness. A lightbulb moment. A traumatic memory unlocked, the key that brings missing pieces together.

Or maybe not.

In my last post, I wrote about it being the time of a full moon and an opportunity for completion. That weekend, I found myself going for a long walk, unexpectedly winding up in my childhood neighbourhood. I walked past the apartment building my family lived in at two different times; once when I was 4 and again at age 8.

I felt both light and heavy. When we lived in this small place, my family had not been in the country for very long. So many years later, I could more fully appreciate the trauma and uncertainty that my parents must’ve experienced during those early years. My heart exploded with love for my mother and father, and my childhood grief that I couldn’t make them feel better.

I love that this building is still there, but I have a feeling it will be gone soon, as the whole area is being redeveloped.

Somehow the timing of all this feels pertinent. If the full moon a couple of weeks ago was about completion, we’re now in the birthing period of the new moon and total solar eclipse. Given that it’s Mercury Retrograde too, it’s the time for inner reflection. Whatever we’re intent on releasing, whatever new thoughts we want to implant… it’s a cosmically potent opportunity to do so.

The little girl in the apartment, the teenager writing in those journals, the woman on her spiritual search…what is she ready to let go of?

The need to apologize. The need to people please, the fear of rejection, the feelings of not enough, the ancient pain in feeling so responsible for others. Letting go of those physical reminders, those powerful words in written form, frees her to experience more of the real her: the woman unbound by old self-definitions. The woman who laughs more, who truly values herself and doesn’t needlessly worry about others.

Perhaps there is no more auspicious time to set those journals aflame. Instead of fearing what I might lose – my childhood, my identity – I can imagine the space created from releasing those (mostly sad) words. My being extends far beyond the letters on a page.

As I walked past my old apartment that day, it occurred to me that I never knew the building’s name. I went up to the main door. “Le Chateau.” The Castle. Seeing that made me smile. It seemed very fitting.

stillness in solstice snow

A few days ago, it snowed in my hometown. Since this is a rare occasion, my city was thrown into complete chaos. Streets weren’t plowed, buses stopped running, people were slipping and sliding everywhere…I made it halfway to work and gave up, turning around and heading straight home. (Most of my colleagues did the same thing.)

Given that it was the first day of Mercury Retrograde, and Winter Solstice was approaching, I relished the opportunity to stay cozy indoors, enjoying the peace and silence of a random Monday off.

snow sure makes the mountains look pretty

snow sure makes the mountains look pretty

The previous weekend, I’d gone to a party where I met the one person who actually enjoyed 2016. Everyone else I know is happy to see this year go. It’s been a time of major life changes, wake-up calls, and dispelling of illusions all around. A hugely pivotal year, yes. But not necessarily the most pleasant.

What have I gleaned from 2016? That 2017 will not be about straining or efforting to make things happen. I want to enjoy what I have created so far, trusting that I’ve made appropriate decisions for myself, and knowing that there’s nothing to fix. I want to relax into what is, right here right now.

The great thing about 2016 is that I was forced to pare down my life in many ways – especially financially. That, and my break with social media, allowed me to see where I’d been spending my energy, i.e., starving myself through over-consumption. Without such distractions, I began spending more time in silence. I realized just how difficult silence was for me, and how much I craved it.

Many of us know the running commentary that comes with meditation. The inner critic, the monkey mind, the myriad of voices we’ve heard throughout our lives, all re-playing the same old tapes. They relentlessly question my choices, convinced there is something better I could/should be experiencing.

Because we (in the western world) seem to have so much opportunity, freedom, and information at our fingertips, we can drive ourselves crazy looking for what’s more desirable than what we have right now. (Especially if we’re comparing ourselves to others on social media, just sayin’.)

These past few years, I received many of the things I asked for. And I then let them go, in search for something new-and-improved. Though I’m very grateful for the ability to create new experiences, I see that I was plagued by chronic restlessness and dissatisfaction. I couldn’t be fully present with my creations, because I was already onto the next thing. The seeds didn’t have time to germinate.

It was fear. Fear that I’d made the wrong decision (even as I told myself there was no such thing). Fear of being stuck. Fear that I was missing out on my true home, true career, true relationship. Fear that I didn’t deserve what I asked for, and couldn’t hold on to good things. Fear of imperfection. I demanded perfection in my outer circumstances, because I couldn’t accept imperfection in myself.

and my window looks pretty too

and my window looks pretty too

My surprise day off, a gift from the snow god/dess, was heavenly because I experienced prolonged peace and quiet for the first time in a long time. I’ve been having more of these moments lately…glimpses of relief, however brief, from habitual thoughts, worries, and stresses. Plans and action are good and necessary. But this is what I want to cultivate.

Love…compassion…breath…here is the fertile space for creation. Good things – maybe the best things – come from being still with life as it is right now. Maybe nothing needs to change; I can allow what’s already here to emerge in its full bloom and depth. The ‘doing’ then happens on its own. It’s a beautiful symbiosis.

Happy New Year, indeed. ❤

the lady in the painting

In honour of Mercury Retrograde, I’m re-blogging a post from my early WordPress days. An extra fun twist is that I now work at the university I mention in the post. I’m loving this trip back in time.

Happy equinox-full moon-lunar eclipse!

alohaleya

Years ago I bought an art print from a poster fair that would visit my university a couple of times a year.  I was so drawn to this painting, which featured a woman sitting at what looked to be a Parisian cafe, a pensive expression on her face, quill and half-glass of wine on her table.  I loved everything about this piece: the setting, the colours, the subject matter, the painter’s technique.  I didn’t even look up the artist for some time, or explore the historical context of the work (which is strange, considering I was an Art History major).  It spoke to me, and that was enough.

The Cafe, Tsuguharu Foujita (1949) The Cafe, Tsuguharu Foujita (1949)

I felt an affinity with this woman, and I wanted to be her, but her world and life were so far away from mine.  This painting created a tension within me.  Of admiring, of relating…but also feeling…

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